While there are a number of different mallet instruments that we perform on as percussionists (marimba, xylophone, glockenspiel, chimes, etc.), there is one important aspect to include in your performance; playing with phrasing and musicality. Of course, this is easy to say, though, hard to do. Playing with the proper technique for each of the mallet instruments in our percussion "family" is one thing, but, having these instruments sound like "melodic music" and not "rhythmic music" is certainly a challenge! Once you understand the correct rhythms and dynamics of your mallet part, try following these three things that should help to ensure that your sound is musical: Try thinking of of mimicking the musical line by simply playing with a...
Always hold the triangle between the music and conductor where you can see both without moving your head. Experiment with different playing areas-and the amount of beater surface-to get the optimal sound for the specific passage. Experiment with different triangles to get the optimal sound for the specific passages. Big triangles don't have to be played for only loud passages (same for cymbals). Don't be afraid to use a heavier beater for softer playing. You'll hear a big difference! Try not to change the location of the triangle if playing rolling and rhythmic passage together (some players prefer to roll with the triangle lower so as to not raise the arm). This changes the sound-as a tambourine especially does, but...
Prepare your music at home first. Obtain your parts from the orchestra or ensemble that is employing you. Don't feel bad about bothering a principal percussionist or librarian. It's their job to get you the music so you have enough time to prepare it thoughtfully. Read through the notes from the principal percussionist. If they've taken the time to assign you a part or instrument, bring that instrument to the rehearsal. If you don't own that specific instrument, contact the principal to ask if you can borrow or rent one. Also, bring enough mallets so that you have a wide variety to choose from during that rehearsal. Prepare the part as if your first rehearsal is a concert. Obtain a...
Tchaikovsky's Symphony #6 includes one solo soft gong (tam-tam) note in the last movement. Ask any orchestral percussionist, playing this note at just the right dynamic level can be a tricky ordeal. Last week, while playing this part with the Boston Symphony at Tanglewood, I had plenty of time to think about the issues involved. While it went well and I felt very good after the performance, it didn't hurt that a long standing colleague in the percussion section complimented me on the solo note! Here are some tips to remember when playing gong/tam-tam: Be sure to inspect the suspension cord prior to rehearsal. (Replace if frayed.) Softly and silently "warm-up" the instrument before striking. Experiment and find a good...
Here's a great new tambourine lesson from Florida State University Professor John Parks. In addition to his duties at FSU, John performs with the Tallahassee Symphony and is the President-Elect of the Percussive Arts Society.
